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Bayerischen Landesamts für Denkmalpflege, Aussenstelle
Augsburg, und der Stadt Neuäss, 25 Juni bis 2 Oktober 1988, Neuäss, 1988. |
language of mythological motifs in mould-decorated samian,
with specific reference to the theme of Ulysses and Polyphemus expressed by
the Satto-Saturninus groups of potters. In essence this is a study of how
samian ware was used as a means of telling a story, and how the story is
compressed into small, symbolic figures on bowls. The work has implications
for the study of mould-decorated samian from many sources. 610 Desbat, A, ‘Céramiques romaines à glaçure plombifère de Lyon et de Vienne’, Société Francaise d’Etude de la Céramique Antique en Gaule, Actes du Congrès de Toulouse, 9-11 mai 1986, 1986, 33-39. exc,syn/mjc/late 1st BC-lst half of 2nd AD cgg/glz A short paper on lead-glazed wares found in the Rhône Valley: entry no. 611 is a longer, more detailed publication of the same work, although not all of the illustrations are repeated in the latter paper. See also entry no. 676. 611 Desbat, A, ‘Céramiques romaines à glacure plombifère des fouilles de Lyon (Hauts-de-Saint-Just, Rue des Farges, La Solitude)’, Figlina 7, 1986, 105-124. exc,syn/mjc/late 1st BC-lst half of 2nd AD/seq cgg/glz "Abstract: Appearing on the Lyons sites as soon as the late 1st century BC, the lead-glazed wares can be classified in 3 groups: the Augustan wares, scene of which seem to have been produced locally; wares from the centre of Gaul which lasted through the whole of the 1st century AD; and a third group characterized by an often bicoloured glaze and original forms, which appeared in Lyons during the first half of the 2nd century. This last group of wares, the most numerous, are found on many sites from Spain to Italy. Their origin has often been debated; an Italian origin now seems certain." Lead-glazed wares seem generally rather less rare in central and southern Gaul than they are in Britain. This paper catalogues and illustrates a broader range of central Gaulish types than has previously been available, as well as the less well-known (in Britain) Lyons and Italian types. See also entry nos. 610 & 676. 612 Desbat, A, ‘Note sur la production d’amphores à Lyon au debut de l’empire’, Société Françaase d’Etude de la Céramique Antique en Gaule, Actes du Congrès de Caen, 28-31 mai, 1987, 1987, 159-165. exc,syn/mjc/1st BC-early 2nd AD/typ amp/asg A short paper on amphora production at Lyons. The types involved are: (1) types similar to Dressel 1; (2) to Dressel 2/4; (3) to Dressel 28; (4) to Haltern 70; and (5) to Dressel 9 or 10 (often called ‘Dr 9-type’). Among the Haltern 70-type examples are what would now in Britain be called London 555-type. All of these have a pale white or light buff fabric. This is undoubtedly the beginning of a revolution in the understanding of amphora production, since almost all of these types were thought previously to have originated elsewhere, for example in Italy or southern Spain. 613 Desbat, A & Picon, M, ‘Sigillée claire B et ‘luisante" :classification et provenance’, Figlina 7, 1986, 5-18. exc,col,chm,syn/ptp,trd/l50-end of 3rd/typ tsg/nfc/orc/mrb Normally discussions of the "imitation samian" wares known as ‘sigillée claire B’ and ‘sigillée luisante’ (?metallic) could happily be omitted from the Bibliography, since these are wares made and distributed almost exclusively in the |
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