Contents (click title
to go straight there)
Welcome
by New President Jane Evans
Presentation of the new Committee
Obituaries
Vivien Swan,
Gillian Braithwaite
Announcements
Roman
kilns digitisation project in honour of Vivien Swan
Jill
Braithwaite’s 2009 Gillam prize and the Roman Archaeology Conference
2010
The
Graham Webster Memorial Grants for attending the S.G.R.P. Annual
Conference
The John
Gillam Prize
CONFERENCES
2009
SGRP CONFERENCE - Chichester
Some abstracts from the
2009 conference
The Social Life of Amphorae - Steve Willis
A group of head-pots with mural crowns from Surrey and Sussex -
By
Joanna Bird
Copying the typesetter: investigating the accuracy of samian imitations
- By Edward Biddulph
Roman and Indigenous Interaction in the North: the Ceramic Evidence
By Louisa Hammersley
2010 SGRP CONFERENCE - Nottingham
2011 SGRP CONFERENCE
- Amsterdam
News & Updates
A
Research Strategy and Updated Agenda for the
Study of Roman Pottery in Britain, an update by Rob Perrin
News from the samian corner
Birkbeck College Course on Samian Ware identification
Illustrating Samian Ware- towards producing a handbook
Funding Opportunities and other news
IFA Workplace Learning Bursaries
The Research Excellence framework (REF)
Welcome by New President
Jane Evans
It is a great honour to be taking on the
role of President of the SGRP. In doing so I am very aware of the
achievements of former Presidents, most recently Roberta whose valuable
contribution steering the Group is evident in the various SGRP
initiatives reported on below. My role as president will be greatly
supported by the expertise and commitment of the other committee members
and SGRP project leaders. Having had a gap of three years since I served
as SGRP secretary it is reassuring to see so many familiar faces on the
committee! Louise Rayner will finish her second term as Treasurer
at next year’s AGM! Steve Willis has returned to the committee as
editor, and Ted and Pam continue their steadfast work for the Group. It
is also encouraging to see new, younger SGRP members getting involved.
One member, Alex Beeby, currently holds one of the 2009-2010 IFA
Workplace Learning Bursaries.
The Study Group goes from strength to strength. This was
reflected in the quality of papers presented at the annual conference in
Colchester, some of which are included below. The success of the
conference owed a great deal to the hard work of Louise (while, it
should be noted, on maternity leave) and Anna Doherty. The 2009
conference seemed to mark a rite of passage for the Group. The
retrospective was tinged with sadness as we looked to the past and
thought of members we had lost, Yet, from the conference papers and AGM,
it was clear that the Group itself is very dynamic. Reading though the
obituaries below there are a number of qualities the Group is carrying
forward: high standards and scholarship; an enthusiasm to share
knowledge; and the warmth/humour that can make us approachable to new
students of the subject, and allow them to see the enjoyment of what we
do.
The theme of honouring past members while inspiring future
studies seems to run through a number of items in this edition of the
newsletter. There are reminders for the Graham Webster memorial grant
and the John Gillam prize. There is news of a bursary for next year’s
RAC conference, in honour of Jill Braithwaite, and a report on the Roman
kilns digitisation project in honour of Vivien Swan.
The Research Strategy and Updated Agenda for the Study of
Roman Pottery, reported on below by Rob Perrin, will determine future
priorities for the Group and form a strategic reference point for Roman
pottery studies. There is a reminder to respond to the questionnaire
sent out by Rob, if you have not already done so, so that the document
incorporates the widest range of views. Training will always be an
important element of the Group’s remit. A number of members, and
non-members, benefited recently from the Samian training course,
organised by Gwladys Monteil. The course opened with a concise overview
of samian studies, covering production centres, forms and fabrics, and
including a number of useful tips on ‘where to start’ with a sherd
of samian in your hand. There was access to some of the collections from
LAARC, and a practical session on fabric identification. Gwladys,
assisted by Geoff Dannell, made the subject very approachable, and
demonstrated a remarkable ability to give those present her undivided
attention as a teacher while magically producing tea, coffee and a
substantial lunch!
Finally, there is information about a couple of funding
opportunities that the Group or individual members could be taking
advantage of: IFA Workplace Learning Bursaries and the Heritage Lottery
fund ‘Skills for the future’ grants. If you have any ideas for how
the Group could be using these opportunities, or any suggestions for
items the committee should be considering, we are always pleased to hear
from you.
Presentation of the
new Committee
A number of committee members completed their 3-year term in office at
this year’s AGM (Chichester 2009). Those standing down are: Roberta
Tomber (President), Phil Mills (Secretary), Laura Griffin (Ordinary
Member), Alan Jacobs (Ordinary Member), Ruth Leary (Ordinary member) and
Gwladys Monteil (Ordinary member)
We warmly thank all of them for their work for and on behalf of the
Study Group.
Following the elections at the AGM in Chichester 2009, the new SGRP
committee is as follows:
|
President: Jane Evans
Hon. Editor: Steve Willis |
Hon. Secretary: Gwladys Monteil
Membership secretary/Hon. Treasurer: Louise Rayner |
|
Ordinary Members: Jonathan Dicks, Amy Thorp, Jane Timby, Alex
Beeby and Ian Rowlandson |
|
The following members also have active roles:
Production Manager: Pam Irving
Website Manager: Ted Connell |
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Obituaries
Most of you will know that the SGRP sadly lost two of its most talented
and active members in the last 18 months, Vivien Swan and Gillian
Braithwaite. Vivien and Jill were very much present in the hearts of all
of the members present at the SGRP conference retrospective in
Chichester. In their memory, the following tribute assembles a selection
of messages received by the President and commemorations published in
various media.
Vivien Swan - Roberta
Tomber writes:
Vivien was part of many different archaeological worlds. The one
that I shared with her, and that connected her many worlds, was that of
pottery. Her achievements in pottery are many and difficult to summarise
briefly, but three immediately come to my mind: kilns, ethnicity, and
Bulgaria were all important long-term research interests.
In the 1980s, while still working for the Royal Commission,
Vivien produced the standard reference work on Romano-British kilns. It
is a model of clarify and completeness, and marks Britain out as the
only province for which such a resource exists. During the 1990s, she
began her study that identified the presence of North African troops in
northern Britain through their distinctive pottery repertoire.
Importantly, this led to a re-evaluation of the dating of the Antonine
Wall. A similar methodology and approach was extended to other pottery
assemblages and the identification of other ethnic groups. It was in the
late 1990s that Vivien began working on pottery from Andrew Poulter’s
excavation in Bulgaria. Here, in a remarkably short time, she
transformed our understanding of a province whose ceramics were
virtually unknown by her lucid typology and chronology with many
compelling stories to tell. This scholarship provides a legacy that
continues to grow with further publications in press.
Yet these achievements are known to the entire
archaeological community and have already been mentioned by others. What
may not be known outside the pottery circle is illustrated by her
lifelong involvement with the Study Group for Roman Pottery, a special
interest group established by Vivien and others in 1971. Such was her
input and contribution to it that, for me and for many other members,
the Study Group, and particularly its annual conference, is synonymous
with Vivien: she was its life and soul. Not only did Vivien serve as
president and on the committee for most of her life; she organised 6
conferences, advised on numerous others, and, to my knowledge, missed
only one — that was in order to meet a more pressing archaeological
commitment, but she was terribly upset and sent an apology to those of
us at the conference. It was Vivien above all who promoted discussion
within the Group with a seemingly infinite range of interests and
expertise based on knowledge acquired through personal experience.
Vivien always demanded the highest standards of herself; she also
demanded the highest standards of us, and could be frank in letting us
know when we did not meet those standards. Her tenacity was a defining
characteristic we saw throughout her life, it served her and us well,
particularly during the last year of her life that she lived with
unsurpassed bravery.
Vivien mentored scores of pottery specialists by way of the
Study Group and internationally through the Fautores. Her work in
Bulgaria led to a host of personal relationships with scholars from
eastern Europe. It was not unusual for her to arrive at a foreign
conference with sheaves of offprints and photocopies of works that were
otherwise unavailable to students and scholars in that region.
But there was another Vivien. She was no bluestocking: she
took great pleasure in colour and style and her wardrobe enlivened our
Study Group meetings. Her style changed over time, from the Laura Ashley
prints she favoured when I first met her, to the more sophisticated and
glamorous outfits composed of deep, rich colours that particularly
blossomed after her first bout with cancer. Her numerous pairs of red
shoes will always be favourites of mine. Her travels in eastern Europe
provided further opportunities to expand her wardrobe: I remember
several exotic embroidered jackets and wonderful ethnic jewellery. The
last time I saw her was in November at the British Archaeological Awards
where, despite her advancing illness, she looked glamorous and elegant
in one of her beautiful scarves: that vivid image of Vivien is the one I
will carry with me.
Roberta Tomber, Spoken at Vivien’s memorial service, Flaxton, 21
February 2009
Steven Willis writes
Obituary: Vivien Grace Swan (nee Bishop) 1943-2009
For a quarter century Vivien Swan was the commanding personality in
Romano-British pottery studies. She was the first President of the
Group, following its formalization, serving a four year term until 1990
and then contributed as a very active Committee member in most
subsequent years. The foundation of her authoritative knowledge and
presence lay in her research and the documenting of kilns and industries
which appeared as The Pottery Kilns of Roman Britain in 1984, and
through her commitment and drive which lead her to examine material at
first hand in collections across the British Isles, from Cornwall to
Cramond. In time she was to forge particular spheres of innovative
research, based on robust attention to chronology, typology and
collections, namely in military supply and distribution, recruitment,
ethnicity and frontier studies, linked to her capacity of recall of
material. Her perspective and standing became international; she was
able to discuss patterns and linkages in ceramics from across the
Empire. In many ways she was universal: a great traveller and attender
of events, with a wide portfolio of knowledge and contacts.
Born in London, she spent her childhood at Penarth and took
her undergraduate degree at Cardiff. This was at a time when artefact
studies were being nurtured there by Bill Manning and others. Amongst
her contemporaries and near contemporaries at Cardiff were scholars who
came to be an influential generation and known as ‘The Taffia’,
many, but not all, Romanists. Jennifer Price advises that it was the
custom for Cardiff undergraduates to be sent to the summer training
school at Corbridge and this is where she met David Breeze who became a
close friend. Thus her interest in military matters and the Northern
Frontier was established early in her career. An early interest in
pottery studies meant that she formed close and lasting friendships with
key figures in our subject such as Graham Webster, Kay Hartley and John
Gillam. She remained a strong and loyal advocate of John Gillam’s
corpus of work and was pleased to see the Study Group acknowledge this
in recent years via the annual prize for an original contribution that
bears his name.
Vivien was typically forthright and often combative: she
argued her case. Behind this lay her concern that the highest standards
of study be attended to, and that scholars get their facts straight;
balancing this was a generosity of spirit seen very often in supporting
and guiding young researchers and people, including amateurs, new to the
subject. She was an effective and encouraging face-to-face communicator.
She maintained the belief that the Roman army was absolutely fundamental
in the development of pottery industries and distributions following the
conquest of the North-West Provinces. During the late 20th century this
was not such a fashionable idea as scholars and the focus of research
into the Roman era shifted significantly away from matters military.
More recently the significance of the army and of the military in the
organization of Britain has come back more towards centre stage,
assisted indeed by Vivien’s publications. Vivien felt, as did others
during the later decades of the 20th century, that the
contribution of pottery scholarship to Roman studies was not fully
appreciated by the non-specialists and this made her more keen to
promote the case. Perhaps too at the start of her career it was more
difficult for women working in Roman studies generally since this was a
specialism dominated by men, although pottery studies were an exception
in this respect. Vivien was an earnest attender therefore of conferences
on Roman archaeology and indeed gave a paper at the second TRAC
conference (1992); these were vehicles for the continuing momentum of
her research and findings in Roman pottery work. In total Vivien
organized six of the Study Group’s annual conferences with
characteristic attention to fine tuning in timetable, programme content,
accommodation and meals, and provided experienced advice to those less
familiar with organizing such events. Vivien invariably sat at the front
at conferences and seminars (as many members of the Group and speakers
will recall); she did not wish to miss the details given by the speaker
or the nuances of projected pottery illustrations. A leading member of
the Fautores gatherings she organized the 20th
conference at York in 1996 which was a huge success. She was a regular
contributor at the Limes congress too. Through these connections
and in the welcoming of scholars from overseas she built up a wide
network of friends and colleagues and established a firm international
standing, bolstered by her regular publications, often of international
significance. She was at ease giving papers in French as well as
English.
In 1965, after graduating, Vivien was appointed as an
investigator for the Royal Commission, being based at the Salisbury
office, a post of significant standing. Kevin Greene points out that had
she been born a few years later she would quite probably have been a
beneficiary of the doctorial research grants that engendered a range of
pottery industry studies from around 1970. The early years with the RCHM
were formative. Her earlier work looked at production and kilns, notably
in the New Forest and East Anglia, and there was also an important
contribution in Britannia (1975) on Oare and Savernake ware.
Whilst this work had a southern emphasis her attention to pottery on the
Northern Frontier grew, through intellectual interest and via continuing
connections with those based in northern Britain or studying the
frontier and its pottery. This was, of course, to flourish in her later
career. The scope of her interest in Roman pottery, even as a young
researcher, made it appropriate that she be author, whilst only at the
start of her 30s, of the Shire book Pottery in Roman Britain
(1975), engendering interest in the topic amongst innumerable readers of
this popular guide. The kilns project was supported by the Commission as
a result of her advocacy. Roberta Tomber reminds us that Britain is the
only province to benefit from such a resource.
Marrying in 1966 Vivien and her husband Tony had two
daughters. From 1975 they lived at Flaxton near York and she worked at
the Commission’s offices in York. Hereabouts were based a number of
key Roman scholars, members of the Yorkshire Archaeological Society and
this was Vivien’s immediate hinterland for 33 years (in addition to
her others) and its character, personalities and activities were
important to her. Work with the Commission included the publication,
co-authored with Humphrey Welfare, Roman Camps in England: the Field
Evidence (1995).
After some thirty years of service restructuring of the
Royal Commission in the mid 1990s saw Vivien take early retirement and
the opportunity to develop freelance research and reporting. This period
gave her greater freedom and the dozen years from 1997 to the premature
end of her life were her most dynamic and productive. This was so in
spite of her cancer that first developed early within this phase for her
life (1998); throughout her struggle with the disease she continued
working. 1997 saw Vivien become an Honorary Research Fellow at Durham
University where Martin Millett invited her to become a founder member
of the Centre for Provincial Archaeology; this was though only the start
of close connections and collaborations with key institutions and
projects: with Tyne and Wear Museums, with Andrew Poulter and Nottingham
University (again as honorary research fellow) in the study of pottery
in Romania and Bulgaria (in particular the fort at Dichin and Later
Roman and Byzantine era ceramics), and with Historic Scotland. Important
work was undertaken too on Carlisle pottery. This then was a time of
dedicated work, but also of recognition as her work reached a wide
audience. Her paper ‘The Twentieth Legion and the history of the
Antonine Wall reconsidered’ published in 1999 in The Proceedings of
the Society of Antiquaries of Scotland was both seminal and award
winning, having implications for our understanding of the chronology of
this wall. She gained a Doctorate from her home University in 2001 for
the sustained calibre of her academic contributions, this being an
honour she particularly prized. As David Breeze notes in his obituary in
The Independent, this reflected the wider recognition her
subject, that she did so much to champion, had began to receive. Late in
2008 she had the accolade of nomination for a Lifetime Achievement Award
at the British Archaeological Awards ceremony.
As a founder member of the Study Group in 1971, almost no
Study Group annual conference was missed by Vivien. A look back over the
annual conferences of the Study Group of the last twenty years shows
this record: 1988 organizer (Glasgow), 1992 paper given, 1993 paper (on
York head pots), 1995 paper (on kilns research), 1996 organizer (Hull)
and paper (on Holt, Chester and the Antonine Wall), 1998 assistant
organizer (Arras), 1999 organizer (Carlisle, where she also gave a
paper), 2001 organizer and paper (Liverpool), 2003 assistant-organizer (Wallsend),
2006 paper (Gauls in the conquest of Britain: a ceramic perspective),
2007 co-organizer (Cardiff). Hence this year’s conference at
Chichester was an especially poignant time for reflection. It was 14
years ago that the Group last held its conference at Chichester, a
meeting that heralded the composition of the Group’s National and
Regional Research Frameworks that were published two years later. Vivien
was a key contributor to the formative meetings from which the
Frameworks took shape (organizing one in York in 1996); she advised me
when I was drafting the final national document. Through her influence
as well as her own work she steered many publications on production
sites and distributions to completion. This was sustained to the end.
Her work was invariably related to key questions and particularly
latterly related pottery to other spheres of society in the Roman era.
The Journal of Roman Archaeology has recently published her volume Ethnicity,
Conquest and Recruitment (Supplement No. 72). The project bringing
the fiche and archive of The Pottery Kilns of Roman Britain to
availability in the digital age nears completion. It was especially
satisfying for her to know last year that this was being undertaken;
continuing its value for the future.
Members will recall her striking appearance, not just her
flaxen hair, smart style and her flattered smile when praised, but also
particularly the brightly coloured shoes, the clothes, bags and scarves,
often in later years with an oriental touch. Less well known was her
love of music; she was a church organist. Distinctive too was her
strikingly elegant voice: she spoke with clarity and emphasis. The Study
Group has lost a figure and advocate of great substance. Vivien leaves
us having provided some tremendous reference tools for pottery research
and with them vivid memories.
(Suggestions of additions to the text, when in draft, received from a
number of colleagues are incorporated here).
Steven Willis 2009
Other commemorations of Vivien
The tributes to Vivien at her memorial service in Flaxon by
William Manning, Humphrey Welfare, Andrew Poulter, Jennifer
Price and Roberta’s piece (above) are now published in Vivien’s
recent JRA monograph:
Swan, V 2009 Ethnicity, Conquest and Recruitment: two case studies
from the northern military Provinces. Journal of Roman Archaeology,
Supplementary Series no. 72, Portsmouth, Rhodes Island, 7-11.
An obituary by David Breeze was published in the Independent on February
the 26 2009 also appears in the monograph (http://www.journalofromanarch.com/supplements/S72.pdf).
Messages received by the SGRP:
Vivien and I did not always get on, latterly. But
I want to record that she was one of several Study Group members who
welcomed me in and helped me when I was starting out as an archaeologist
in the mid 1980s. When someone (Robin?) was encouraging me to give
a paper at the Annual Meeting, and I was lamenting my inability to make
decent slides, Vivien, characteristically helpful, got straight to the
point. 'Well, tell me what you need and I'll get them done', something
like that. And she did - I still have the excellent RCHME slides
of mica-gilt pots I used at Clacton. I am not alone in being the
recipient of help like that and will not forget. More recently, I had
the privilege of observing her in action in Bulgaria and learned much
from that.
Colin Wallace
What a sad news indeed, Kay and Roberta, to hear
that Vivien died on New Year! I saw her for the last time in October
2008 at the Fautores congress in Cadiz and she told me that it was
her last congress, and she cried... She was the honorary speaker on
December 6th 2002 at the Royal Academy in Brussels during the
congress "Archaeology in Confrontation", a tribute to my
scientific career when I retired as professor of Provincial Roman
Archaeology at Ghent University. I lost not only a colleague, but a
real friend.
Prof. Dr. Hugo Thoen
From the LRCW3 Organizing Secretariat and Committee
Dear Friends and Colleagues,
We are very sad to bring the new that Vivien Swan died some
days ago. We lost a highest level scholar and a woman endowed with a
great kindliness, heart and joie de vivre. In spite of her illness, she
took part in the LRCW3 Conference and then in RCRF Congress at Cadiz. As
usual, She was cheerful, with her bright sky-blue eyes and the happy
smile : just so we want to recall Vivien.
Gabriella Guiducci, Simonetta Menchelli, Marinella Pasquinucci, Sara
Santoro
Segreteria e Comitato Organizzativo LRCW3.
LRCW3 Organizing Secretariat and Committee.
Gillian
Braithwaite Maggi Darling
writes:
Jill was a person who lifted your day and spirits. Phone calls,
emails and letters from her were always good to receive, full of life
and jokes, and questions opening new avenues, leading to exchanges of
photographs, drawings. It is a very sad task to review the work of an
old friend suddenly dead, and in working through her publication, Faces
from the Past, what is apparent is the breadth and depth of her
research, searching into every aspect that could be relevant to the
study of Roman face pots. There is a wealth of detailed background
information seldom seen in such publications, setting the vessels firmly
in context. I first met Jill and Rodric at the start of her interest in
face pots in the late 1970s, and nearly forty years on, her dedication
to these amazing pots to produce such a comprehensive landmark
publication is truly remarkable. If there was a stone to be turned, Jill
turned it, exploring yet another aspect. What is a joy in her work is
her descriptions of the various types of face masks on the pots
everything from ‘serene’, ‘grinning’ to ‘grotesque’ but,
needless to say, there is the occasional phrase to describe a truly
outlandish face mask, or a wry comment, that creeps up on you to provoke
a laugh, so typically Jill.
This is an important work, the first time anyone has
surveyed the evidence across most the Roman Empire for these strange
pots, and associated vessels and objects, without which foundation
little understanding is feasible. And, as Richard has noted, this was
the work of an ‘amateur’, but also work to be fitted into the life
of a person involved in the diplomatic world at an exciting and
turbulent time, which makes her achievement all the more awesome. In the
world of ‘professional’ archaeology, Jill’s work is a timely
reminder of another side, not to be neglected.
Reviewing the work of an old friend is difficult – you
feel so closely in touch but new theories have nowhere to go, no
enjoyable discussions to pursue. Which makes it all the more important
that her work needs to be cared for, not merely curated but taken
forward. And hopefully arrangements will be made to ensure that new
information is added to build on Jill’s foundations as she would have
wished. Her warmth, enthusiasm and the joy she gave are sadly and deeply
missed, but also treasured.
Maggi Darling
Richard Reece writes:
Jill Braithwaite, who died on November 10th, was one of
that rather rare breed – the amateur specialist. Because her study of
Roman face pots was at once highly specialised and very far ranging, and
she was not employed in the archaeological or academic worlds, the Study
Group was a vital link on which she depended for information, help,
support and approval.
She first studied languages at Westfield College, London
and went into the Diplomatic Service where she was posted as Political
Secretary to Warsaw. There she met her husband Rodric and after their
marriage she had to give up diplomacy. She then concentrated on raising
a family and only when they could look after themselves did she indulge
in a long held fascination by doing a second first degree as a mature
student at the Institute of Archaeology in London. She had many of what
I think of as the typical qualities of the mature student – deep
interest, strong application, ability to work to a timetable, and
willingness to search widely for information. But like almost all other
mature students she had strong doubts about her own ability and the
importance of her work. This is where the Study Group was so important
to her for she often tried out her "hare-brained" ideas in
meetings and was then delighted when "real specialists"
approved of what she had said.
Fascination with face pots started during an after-lunch
Roman pottery lecture in her second year. A short nap was often
inevitable and one day she thought she was in a nightmare when she saw
leering at her a huge misshapen face. This was too extraordinary to be
left aside so when she had checked that the odd form of decoration was
not easily explained in published works she decided to sort out the
British evidence for her undergraduate dissertation. This formed part of
her first class degree and was published in Britannia.
She then had the basis for extending her study to the
continent where her background in both Romance and Slav languages came
in very useful. Because she was moving round with Rodric she registered
as an External Student for a Ph D. Times in London made research easier;
posting to Washington was within reach of the Dumbarton Oaks library.
She mixed in Diplomatic circles but did not talk much about her own
research. This could be because of early conversations in Washington
which always seemed to terminate immediately she mentioned her research
topic of Roman face pots. At first she thought she was transgressing
diplomatic rules by talking her own "shop" in the wrong place
till an American diplomat, more determined than the others, pursued the
conversation by asking "What's with this Roman acne, then?" so
that all was revealed.
Posting to Moscow in 1988 meant that research had to be
temporarily abandoned in favour of living through interesting times. Her
fluency in Russian meant that she could (and did) communicate directly
with all levels of Russian society, and the great change of 1989 meant
that communication increased greatly in both scope and openness. The
attempted coup which threatened to turn the clock back saw her with
Russian women friends at the barricades to the consternation (but
resigned comprehension) of her husband. Those friendships she made
continued when she and Rodric completed their tour of duty and returned
to London and she was busy with individual efforts and committees. One
phone call which came through when I was strongly pushing her for the
completion and publication of her thesis involved attempts to twin an
unpronounceable Russian mining town whose mining industry had collapsed
with a Yorkshire equivalent which had a few year's extra knowledge of
the experience. But this is only one example.
Finally the thesis was completed, examined, and the result,
duly updated and edited (BAR Int 1651, Faces from the past) was
published. There face pots are sorted, for the foreseeable future, from
Spain to Bulgaria and Italy to Scotland with a good typology and
chronology and a firm discussion of the likely means of transmission of
the styles and ideas. Jill wanted to go on examine in more detail the
possible links with face pots and military veterans and to explore the
possible interpretations of these faces which range from engaging to
repulsive. But someone else will have to continue that work on her firm
foundations.
Richard Reece (Richard also wrote an obituary for Jill
which appeared in the Independent (no 6,944) for Thursday 15th of Jan,
2009, 40-41 and http://www.independent.co.uk/news/obituaries/jill-braithwaite-archaeologist
-who-advanced-the-study-of-roman-face-pots-1366590.html)
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Announcements
Roman kilns
digitisation project in honour of Vivien Swan
Members who attended the annual conference in Chichester will be aware
that our SGRP project of digitising and updating Vivien’s Pottery
Kilns of Roman Britain (1984) is well underway. Phase I of the
project focuses on the digitisation of the microfiche gazetteer and the
original text and illustrations. To date all the microfiche has been
digitised and the text is well in-hand. The "Kiln Working
Party" is busy checking the digitised gazetteer against the
original print-out for a select number of counties. After this is
completed, and we’re certain of the procedure for checking, those who
volunteered at the Conference will be contacted. More volunteers are
needed, so do let us know if you’d like to be involved in this
tribute to Vivien.
Jill
Braithwaite’s 2009 Gillam prize and the Roman Archaeology
Conference 2010
This year’s winner of the Gillam Prize for excellence in publication
went posthumously to Jill Braithwaite for Faces from the past A
study of Roman Face Pots from Italy and the Western Provinces of the
Roman Empire, BAR Int Series 1651. Jill’s work on face pots
incorporated many facets of Roman archaeology and has a broad
application to the field in general. Therefore, in consultation with her
family, Jill’s Gillam prize will form the basis of a bursary in her
honour at the 2010 Roman Archaeology Conference. The conference is being
held at the University of Oxford from Thursday 25 March to Sunday 28
March 2010. (http://rac2010.classics.ox.ac.uk/RAC.html).
The bursary, topped up from other SGRP funds, will cover conference fees
and accommodation and is open to members of the SGRP only. Details of
the procedure for applications will soon be available by email
notification to members and on the website.
The Graham Webster
Memorial Grants for attending the S.G.R.P. Annual Conference
In commemoration of the substantial contributions to Roman
pottery of one of our founder members, Graham Webster, a conference
bursary is available to those who would otherwise be unable to attend.
The SGRP Committee invites those of limited means to apply for a grant
towards the conference fee and travel. A total of £300 will be made
available and will be awarded to applicants based on demonstrated need
and relevance. The maximum amount available to any single applicant will
be one-half of the conference cost and one-half of the travel expenses.
The refund will be made at the conference in Nottingham. Applications
may be submitted by members and non-members of the Group. Preference may
be given to applicants wishing to attend most or all of the conference.
A sub-committee of the President and Treasurer, who will seek advice as
relevant, will consider the applications with discretion. Applications
should be made via a brief statement verifying the limited means of the
applicant and their wish to attend the conference. Applications may be
submitted by email or letter to the Hon. Secretary (Gwladys Monteil, 21
Wilberforce Road, Wisbech, PE13 2EX, E-mail:
secretary@sgrp.org.uk
).
The closing date for applications is the 21st of May
2010. Applicants will be informed of the decision within a week of
submission.
The John Gillam Prize
The annual John Gillam Prize, established in 2004, honours another key
founder of our Group for his tremendous contribution to the subject.
Nominations are now being accepted for the 2010 award. A wide range of
work on pottery found in Roman Britain is eligible, including pottery
reports (both published and grey literature), synthetic studies,
websites, student dissertations, theses etc that were completed within
the last two years. Please send your nominations to the Gillam
Committee, consisting of the President and Publication Committee at bibliography@sgrp.org.uk.
It is normally the responsibility of the nominator to make available a
copy of the nominated work, but please write before sending the
publication as in some cases it may not be necessary. Nominations are
open until 11th of April 2010. Works appearing in 2008 and 2009
will be eligible and the winner will be announced at our annual
Conference in Nottingham, between the 2nd and 4th of July 2010. The
award carries a small financial prize.
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CONFERENCES
2009 SGRP CONFERENCE - Chichester
The annual conference in Chichester between the 3rd and the 5th of July
was another great SGRP event! We particularly thank Louise Rayner and
Anna Doherty who organised the conference. Highlights included the SGRP
conference retrospective on Friday evening, where a selection of SGRP
members from different generations shared their memories of past
conferences, stories and tributes of Jill and Vivien. The great
selection of photos gathered by Roberta Tomber and the various speeches
allowed all of us to remember past conferences and to charter the
changes in fashion over the years (Rob Perrin’s vast collection of
stripped jumpers remains a highlight!). The presentation of a copy of
Volume 14 of the JRPS to Rob Perrin in advance of publication was
another highlight of the weekend. Volume 14 is dedicated to Rob for his
commitment to the Journal and his long-standing enthusiasm in Roman
Pottery and the Study Group.
On a more academic note, the weekend was filled with
lectures of an excellent standard, including background talks on Friday
afternoon on the Chichester area and Fishbourne palace by local
archaeologists. On Saturday we visited Fishbourne Palace and were split
into two groups to visit the Collections Discovery Centre and the
Fishbourne Palace. We then went on a tour of Chichester led by James
Kenny, Chichester District Archaeologist.

SGRP conference retrospective on Friday evening: Kay Hartley, Ruth
Leary, Joanna Bird, Roberta Tomber,
Pam Irving and Maggi Darling, all
wearing Vivien’s scarves (photo by David Bird)

A guided tour of Chichester Roman City leaded by James Kenny,
Chichester
District Archaeologist (photo by David Bird)

Visit to Fishbourne Palace (photo by Derek Hurst)
Some abstracts from the
2009 conference
The Social Life of Amphorae - by Steven
Willis
This paper brought together a number of aspects of amphora
distribution noted by Steve through his research and report work over
the past twenty years and much of it yet to be brought together in
published form. The paper covered early imports into Britain and
North-West Europe and how calibration of the numbers by site size and
duration can be helpful in gauging the significance of imports. The
incidence of certain types was examined. Patterns in distribution
and product consumption were noted and specifically how different
sites received amphorae types (and hence presumably
commodities) in differing proportions, in a patterned
way evidently related to site type and status. He looked too at
symbolism and the secondary use of amphorae - what might be termed
their 'half-life'. He spoke also about the contexts of
deposition of amphorae and outlined the interesting work
recently undertaken by Jay Ingate, a post-graduate at the
University of Kent. The latter's studies included the use
of patterns and theory in understanding Iron Age and Roman
coin deposition as an analogous way of understanding the contexts of
certain amphora finds in the North-West provinces.
A group of head-pots with mural crowns from Surrey and Sussex - By
Joanna Bird
The five pots discussed all come from sites within Surrey and
Sussex, an area which Gillian Braithwaite found to contain no other
types of face- or head-pots. One comes from the Fishbourne palace, two
from villas at Beddingham and Rapsley, one from a large villa or
possible religious centre at Chiddingfold, and one from the roadside
station at Alfoldean. The pots are essentially large pear-shaped jars,
and unfortunately none of the surviving pieces shows any signs of facial
features; it is likely that they were originally present, however, since
the rest of the pots are so elaborate. Heavy curls of hair cover much of
the body of the vessels, and nail and finger impressions on the interior
show how carefully they were pressed on to the jars. The mural crowns
were made separately from slabs of clay, and semicircular towers, which
were probably thrown in one piece and then sliced in half, were added
before the other details were carried out. The towers had conical roofs,
and gateways, windows, rows of masonry, merlons and other features were
added or incised after the wall and towers were assembled. The walls
were fixed to the jars with heavy quantities of clay luting.
The style of the pots suggests a single potter, and one of
considerable skill; the successful firing of the jars would also have
presented a technical challenge. As Kay Hartley has suggested, the
fabric indicates manufacture at the Wiggonholt-Pulborough potteries,
which are known to have made samian ware, mortaria and other wares,
including vessels of types associated with ritual activity. A date
between AD 150 and 250 is likely for these jars. The mural crown is
particularly an attribute of Fortuna and of the Great Mother goddess
Cybele, and association with either, or indeed aspects of both, would
have been appropriate, involving protection and agricultural fertility
and prosperity. The presence of terracotta pinecones at Rapsley, though
they were not found with the jars, perhaps makes Cybele the more likely,
since the pine is particularly associated with her young consort Attis.
Such an attribution may also provide a context for a fine Italian lamp,
unfortunately a surface find, from the area of the villa at Beddington
in south London; Beddington and Beddingham both obtained tiles from
kilns at Hartfield in Sussex.
The jars are published: J. Bird, ‘A group of
mural-crowned cult pots from south-east England’, in Céramiques de
la Graufesenque et autres productions d’époque romaine: nouvelles
recherches. Hommages à Bettina Hoffmann (eds M. Genin and A.
Vernhet), Archéologie et histoire romaine 7, Montagnac 2002, pp
301-311. Copies of the paper are lodged with the libraries of Surrey and
Sussex Archaeological Societies.
Copying the typesetter: investigating the accuracy of samian imitations
- By Edward Biddulph
British potters, particularly those within the major industries such
as Oxford and Caerleon, were influenced by samian, including in their
repertoires many of the standard forms of the samian industry. Copies
were rarely exact – we would rarely confuse the imitation with the
samian produced in La Graufesenque, Lezoux or other centres – but
vessels retained enough of the essential attributes to show that they
derived from continental prototypes. The attributes that give the vessel
shape are examples of memes – units of cultural information that
behave in an evolutionary way. Memes, a concept introduced by Richard
Dawkins in The Selfish Gene (1976), are analogous to genes, and
like genes are selected, replicated and modified. Memes can be
transmitted vertically down the generations – with, in the case of
potters, skills being passed from, say, father to son – or
horizontally within generations – a potter sees another potter’s
work and decides to copy the shapes. If there are mistakes in the
copying or innovation in the design, then the memes mutate, potentially
leading to new species or pottery types.
In order to assess the relationship between imported samian
and their imitations, I first identified in broad terms the diagnostic
traits of each samian type. These traits, like the red slip, decoration,
or ways of making the base, are some of the memes that determine the
appearance of each vessel and can be selected and copied by the British
potter. I measured the accuracy of the copy compared with its prototype
simply by counting the number of traits that the imitation and prototype
shared, expressing that number as a percentage. I trawled through site
reports for illustrations of samian-like vessels with whole profiles,
deciding to confine my dataset to the Caerleon, Oxford and North Kent
industries, giving me a reasonably representative dataset in terms of
geography and chronology.
Predictably, Caerleon ware was generally most accurate,
followed by Oxford, then North Kent. Looking more closely at the
Caerleon industry, some forms were more accurate than others, and some
had deviated sufficiently from their prototypes to be classified as
separate vessels. For instance, the f79, not a recognised type in
Caerleon ware, is probably f18/31R, but it scores higher as f79.
Similarly (and as Peter Webster has noted), the f81/f44 range included
some rather freer interpretations of the standard Hadrianic prototype.
Among Oxford forms, there is a steeper drop in accuracy values, from
near 100% for f40 to 50% for f29. For vessels deriving from f37, the
accuracy score was variable, since f37 copies continued to develop, for
example gaining rounder bodies and necks. North Kent samian imitations
are much less accurate than Oxford or Caerleon ware forms, but there was
variation too among the industry’s standard types. It is unlikely that
a vessel that most closely resembles f31 was actually based on that
particular samian form, but was rather a variation of the standard
platter type that owes something to Drag. 18. However, the vessel scores
better as f31. A similar case can be made for the f32 and f42 dishes.
The reasons for producing samian imitations tend to focus
on periodic shortages of the imported vessels – the imitations filled
a gap in the market – or that, in times of strong importation, British
potters wanted to compete and take a share of the lucrative market. A
comparison of samian and imitation assemblages suggests something
different.
Looking at Caerleon, while it is true that f37 and f18/31
were popular forms in both samian and imitation ware, it is notable that
some relatively popular samian types – f27 and f33 cups, were not
popular in Caerleon ware, while scarce samian forms – f81 especially
– was something of an industry standard. Even with the f18/31, the
proportion of samian vessels does not match that of imitation vessels.
Assemblage profiles diverged in the Oxford region too. High proportions
of the Oxford f45 and f38 imitations are not matched by those of their
prototypes. And again, f33 cups are barely represented in the Oxford
industry. There is, however, a better match with some dish types and
f37. North Kent offers a similar pattern. Its f18 and 37s (and
variations) were far more numerous than the samian prototypes. Overall,
then, imitation potters did not attempt to replicate standard samian
assemblages, but were concentrating on particular forms – f18 and f31
series especially – probably in response to the cultural needs of the
consumer. Cups, though acceptable in samian, just weren’t required in
other wares.
In terms of chronology, most imitations within the three
industries were introduced in single period. There is little addition to
the repertoires after the main peak. Caerleon potters stopped producing
imitations before the samian industry expanded again in the later
Antonine period. North Kent did not significantly expand its repertoires
after the early Roman period. And Oxford potters had no real appetite to
imitate samian until the mid 3rd century, and even then the repertoire
was selective and fixed.
There a number of points that emerge from this analysis.
Few forms consistently approached the standard of samian, though
Caerleon and Oxford industries did produce some excellent copies. But,
at the same time, there was a certain coherence within individual
industries. British potters were not attempting to replace samian or
create British branches of the samian industry by replicating the
typical samian assemblages imported into Britain, but instead
concentrated on specific types as the cultural landscape demanded.
Repertoires were developed within a short timeframe and were largely
fixed thereafter. Yet new forms emerged from variations in existing
types, independently of development in the samian industry. These
factors suggest that British potters did not imitate samian potters;
they imitated themselves. Samian was, of course, the starting point,
but once the imitation forms were introduced, then the knowledge to
produce them could be spread among potters within and across
generations, allowing the forms and culture of use to evolve along their
own trajectories. The memes that formed the imitation, rather than the
prototype, were replicated as potters learnt their craft. The imitations
were copied with high fidelity in a way that the prototypes weren’t.
Of course, there were errors in the copying or potters deliberately
discarded or changed certain traits, and this led to variation of the
form and, if perpetuated, new forms, like we saw with North Kent’s
Drag. 18 range and Oxford’s Drag. 37 range.
Roman and Indigenous Interaction in the North: the Ceramic Evidence
By Louisa Hammersley, University of Glasgow
The paper adopted a uniquely indigenous perspective to consider
the potential impact of the Roman presence in Scotland. The character of
contact in Scotland differs greatly from southern Britain, mainly
because of the short timescales and intermittent nature of Roman
occupation of the region; however, very little work has been done in
Northern Britain to gather and synthesise the evidence to facilitate its
deeper interpretation. The Roman coarsewares, for example, have never
been subject to reassessment, so that a central aim of the thesis is to
conduct a reassessment of the coarsewares and samian recovered from
non-Roman contexts in the region using modern methods of categorisation,
illustration and analysis.
The research is set within the framework of modern
theoretical constructs and a brief overview was provided of the models
incorporated into the work, including post-colonialism, identity and
agency. More recent studies of materiality and objectification were also
presented as alternative interpretive frameworks for the analysis of
material culture.
A case study of the coarsewares recovered from Traprain
Law, the foremost known civil centre from Scotland, was presented to
consider these issues. The Roman pottery assemblage from Traprain is the
largest recovered from any non-Roman context in the North and it is the
most extensively studied site from the region. A deeper understanding of
the types of vessels existing on Traprain will also provide the raw data
which will facilitate inter and intra-regional comparisons of the
pottery from across the region as the research progresses. Unlike the
pattern existing on the vast majority of Scottish sites, the Traprain
assemblage is dominated by coarsewares and a comparative study between
this site and the nearest Roman military installations at Elginhaugh
(1st C AD) and Inveresk (2nd C AD) has confirmed that patterns of
selective adoption were clearly in place on the hillfort at Traprain.
The coarsewares also provide evidence for Roman material reaching
Traprain in the 3rd C and 4th C, a full two centuries after Roman
withdrawal from the region.
The case study demonstrated that Roman material was being
used by some of the existing inhabitants of Scotland and confirmed that
practices of selectivity were in place, which may be suggestive of
specific vessels which were deemed to be suitable for appropriation into
traditional cultural practices, perhaps associated with social feasting
and drinking. The adaptation and reuse of Roman ceramics, in particular
samian, could speak to us about aspects of resistance to Roman
domination. However, in the context of Northern sites, this resistance
might be better seen as a nuance of persistence insofar as certain forms
of foreign material culture were being deliberately selected for
adoption and reuse to fit in with existing social conditions and
therefore utilised for the persistence and reinforcement of indigenous
cultural identity.
2010 SGRP CONFERENCE - Nottingham
The next SGRP conference will take place in Nottingham on the
weekend of Fri 2nd- Sun 4th July 2010. We will be staying
at Ancaster Hall on the University of Nottingham Campus. The lectures
will take place in the Arts Centre Lecture Theatre 15-20 min walk from
Ancaster Hall. A full programme will be distributed in the Spring
Newsletter.
Meanwhile, if you wish to find out more or offer a paper or poster,
please email Gwladys Monteil (gwladys.monteil@nottingham.ac.uk)
2011 SGRP CONFERENCE -
Amsterdam
Julie Van Kerckhove has offered to host the 2011 conference in
Amsterdam. More about this in a later edition of the newsletter.
News & Updates
A Research Strategy and Updated Agenda for the
Study of Roman Pottery in Britain –an update by Rob Perrin
As you should all know, the SGRP has been commissioned by English
Heritage to compile a Research Strategy and Updated Agenda for the Study
of Roman Pottery in Britain. The aims of the project are to
produce an updated assessment of the discipline of Roman pottery
studies, to review and update the current research agenda and to produce
a strategy, agreed by the sector, and containing clear, firm priorities.
Two strands of the project are currently underway.
A questionnaire, seeking information from members of the Group, has been
circulated, and a search through recent literature to assess reports for
their contribution to some of the current research agenda items is
on-going. The questionnaire is a key component of members’ input into
the project and the results will be fundamental to the development of
the project. There has been a reasonable response from members so far,
but many members have yet to respond. The deadline has been extended to
the end of the year SO PLEASE RESPOND, even if you do not feel
the questionnaire is relevant – a negative response is better than
none. For those not working on pottery, any thoughts on aspects of the
Roman pottery profession would be equally useful.
Further information will also be sought on the place/role of pottery
studies in universities, museums, local government and archaeological
units, the attitude of journals to the publication of pottery and the
relevance/importance of British pottery studies to continental
colleagues. These aspects will be carried out in association with the
Medieval Pottery Study Group which is undertaking a parallel project.
The initial results of the questionnaire, literature search and
information trawl will be presented at a series of regional meetings
early in the New Year, probably towards the end of February or early in
March. These meetings will provide the opportunity for members to
discuss certain key issues and input to the development of a draft
strategy. The results will also be posted on an internet wiki website to
allow for further interaction and information flow. It is also intended
that the existence of the project(s) and the interim results will be
presented at the IFA and other relevant meetings and conferences.
The project is being carried out by Rob Perrin. Roberta Tomber is the
Project Executive on behalf of the SGRP and there is a steering
committee comprising Jane Evans, Steve Willis, Louise Rayner, Gwladys
Monteil, Ruth Leary, Jude Plouviez, Louisa Hammersley and Ted Connell.
Another progress report will appear in the next newsletter.
Rob Perrin-November 2009
News from the samian corner
Birkbeck College Course on Samian Ware identification
A two day course entitled "Samian Pottery: An introduction to
identifying and recording samian forms and fabrics took place at the
London Archaeological and Archive Research Centre in London on
Wednesday, 14th October – Thursday, 15th October
2009 and was repeated on Friday, 16th October –
Saturday 17th October, 2009. Designed as an intensive
introduction to the study of samian ware forms and fabrics, the courses
placed emphasis on practical sessions and students handled a large
amount of samian material from a range of sites in London. Gwladys
Monteil and Geoffrey Dannell were tutors on the course. Both courses
were well attended with 15 students on course 1 and another 13 for
course 2.
Feedback from attendees:
Jonathan Dicks who attended course 1 (14th-15th
October) writes:
The course was both educational and fun. It was well organised with a
good combination of lectures and ‘hands on’ sessions. The
opportunity to handle such a range of both fabrics and forms was
particularly instructive. It was great to have the expertise of Gwladys
and Geoff on hand to explain and illustrate the variations in the
materials from the different kiln sites. I feel a lot more confident now
in handling Samian.
Illustrating Samian Ware- towards producing a handbook
The Samian Working Group and the AAIS (Association of
Archaeological Illustrators & Surveyors) are working in partnership
to produce a technical paper on standards of illustration for samian
ware. The outline of the book and a provisional timetable were
discussed on the 21st of November 2009 during the 3rd
Samian Working Group workshop.
Funding Opportunities and other news
IFA Workplace Learning Bursaries
The IFA will, in the near future. be discussing training priorities for
the new round of placements. Once these are decided, Natasha Kingham,
Workplace Learning Bursaries Coordinator for the IFA, will send us
details of how to apply, which we circulate to members.
Heritage Lottery Fund Skills for the Future
‘Skills for the future’ is a new £5 million HLF grant programme
supporting organisations across the UK to create heritage training
placements. It is intended to fund placements that meet a skills gap in
the heritage sector, and could include skills to deliver education,
community participation or volunteering programmes, or to use new media
and technology. Applications could be from partnerships – for example
community and voluntary organisations, professional bodies and learning
and training providers. The closing date for applications is 19th
March 2010, and there will be a number of pre-application workshops
for those interested in applying. For more information see www.hlf.org.uk/skills
The Research Excellence framework (REF)
The Research Excellence Framework (REF) will replace the Research
Assessment Exercise (RAE) as a means of assessing research conducted in
UK universities. SGRP members based in university departments will be
well aware of the importance of these assessments, which influence the
allocation of research funding. The SGRP is included in the list of
bodies who can nominate members for the expert panels that will assess
research. It is intended that these panels will be made up of research
‘users (from private, public and third sectors) as well as academics.
Any opportunity to have a voice in this process must be to the advantage
of our sector. The new REF will, for the first time, assess research in
terms of its wider economic and social impact. It is intended to support
a research sector that ‘makes a major contribution to economic
prosperity, national well-being and the expansion and dissemination of
knowledge.’ This in itself, I would hope, should benefit commercial
archaeology which has an obvious economic and social impact. Arguably
there could be more opportunities to fund research that synthesises the
results of commercial archaeology, or perhaps research into commercial
archaeology itself, which could advance our working practices. These are
just my thoughts, and it would be interesting to have some debate about
this – perhaps in the next newsletter! JE
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Please remember to keep your contact details up to date, including any
new e-mail addresses.
Membership Secretary
& Treasurer: Louise Rayner
Flat 2, 121 Church Road,
Teddington, Middlesex TW11 8QH.
Email: louise@lourayner.freeserve.co.uk
Hon. Secretary SGRP:
Gwladys Monteil
E-mail: 
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